Theater in der digitalen Moderne

AKADEMIETAG am Montag, 15. Juni 2015, 14.30 Uhr, Theaterakademie August Everding, München

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Mit Keynote von Kay Voges, Workshops mit Voxi Bärenklau, Tommy Finke, Daniel Hengst und Alexander Kerln und einer Podiumsdiskussion

„Der Regisseur und Intendant des Schauspiel Dortmund, Kay Voges, beschreibt in einer Keynote seine Vision vom Theater als „kollektiver Arbeit an der Gegenwart“ und zeigt Beispiele seiner Auseinandersetzung mit digitalen Lebenswelten auf der Bühne. Auf Basis dieser Keynote folgt eine Reihe vertiefender Workshops:

Der Berliner Kameramann und Lichtdesigner Voxi Bärenklau widmet sich dem Einzug des Kinos in das Theater und verdeutlicht die Entwicklung einer neuen Bildsprache des Films auf der Bühne. Der Komponist, Sänger und Musiker Tommy Finke entwickelt musikalische Mittel aus Stück-Texten und stellt z.B. den Einsatz von Körpersensoren vor.  Der Videokünstler Daniel Hengst, kürzlich mit dem Nachwuchspreis des Deutschen Bühnenvereins prämiert, gibt Einblicke in die Digitalisierung und Transformierung des Körpers auf der Bühne. Alexander Kerlin, Autor und Dramaturg, erläutert die Arbeitsweise am Schauspiel Dortmund und blickt in die Zukunft des Stadttheaters.

(Weitere Infos zu den Workshops im Anhang, Anmeldung bis Freitag unter inge.schielein@theaterakademie.de)

Die Podiumsdiskussion mit Andreas Breitscheid (Komponist, Musik- und Medientechnologe), Hans-Jürgen Drescher (Präsident der Theaterakademie August Everding), Nic Leonhardt (Dozentin und wissenschaftliche Mitarbeiterin an der LMU, Schwerpunkt Theater- und Mediengeschichte), Blanka Radoczy (Studium der Bühnen- und Filmgestaltung in Wien, seit 2014 Regie-Studentin an der Theaterakademie) und Kay Voges (Regisseur und Intendant des Schauspiel Dortmund) wird von Sophie Becker (Dramaturgin des Festivals SPIELART und Dozenten an der Theaterakademie) moderiert und erweitert den Blick auf das Theater in der digitalen Moderne um Positionen im Bereich Musiktheater, Ausbildung und Medienwissenschaft.“ (Text: Theaterakademie)

Theaterakademie August Everding

Wissen schaffen durch Wissen (mit-)teilen: Neuer Fachinformationsdienst Darstellende Kunst

OLYMPUS DIGITAL CAMERAZum Jahresbeginn hat die Deutsche Forschungsgemeinschaft der Einrichtung eines Fachinformationsdienstes Darstellende Kunst für die Theater- und Tanzwissenschaft an der Universitätsbibliothek Johann Christian Senckenberg zugestimmt. Dieser FID kann und soll ein sinnvolles, weil notwendiges Scharnier bilden im Kontext der Bereitstellung und Auffindung von Lehr- und Forschungsmaterialien zu den Gebieten Theater, Oper, Tanz. Auf den permanenten Dialog zwischen Forschenden, Forschungs- und Sammeleinrichtungen soll besonderer Wert gelegt werden.

Insbesondere vor dem Hintergrund einer zunehmenden Vermischung von analogen und digital verfügbaren Materialien und einer großen Asymmetrie in Bezug auf Sammel-, Archivierungs- und Digitalisierungstätigkeiten innerhalb Deutschlands kann und wird der FID Darstellende Kunst hoffentlich Wesentliches leisten.

Vorläufige Informationen zum FID Darstellende Kunst_Feb 2015

English: Scientific Information Services Performing Arts_Feb 2015

Weitere Informationen zum FID-Förderprogramm und seinen Zielsetzungen

Digitale Theatergeschichte: Workshop, 20. Oktober 2014

Nic Leonhardt und Tobias Englmeier stellen an der Bayerischen Akademie der Wissenschaften in München die Arbeit an Theatrescapes vor, gewähren Einblicke in die Entwicklung des Resarch Tools und diskutieren methodische Fragen digitaler theaterhistorischer Projekte.

Workshop Digitale Theatergeschichte

Theatrecapes – Expectations before the Conference: Fernando Mencarelli

Only a few hours until the start of our conference Theatrescapes – Global Media and Translocal Publics 1850-1950 – time to post our last video! As in the previous cases, we were interested in why our guests chose to attend our conference. Fernando Antonio Mencarelli’s (Federal University of Minas Gerais, Brazil) current research project centers on musical theatre in 19th century Rio de Janeiro. He hopes that at the Theatrescapes conference he will be able to connect with researchers from the field of global theatre history who work in a similar area of research.

To see the video, please click the link – it will open a new tab, where you can choose to watch the video in different formats. Flash is probably the one that it is the most convenient, but please note that it will not work on an iPad. Here, “Mobile” or “Quick Time” will be better.

https://cast.itunes.uni-muenchen.de/vod/playlists/ppBfnybnRo.html

Theatrescapes – Expectations before the Conference: Francisco Leocádio

Tomorrow our conference will start – we’re already looking forward to welcome our speakers in person. But even before that, we wanted to know why our guests chose to attend Theatrescapes – Global Media and Translocal Publics 1850-1950. Francisco Leocádio’s paper (Federal University of the State of Rio de Janeiro) centers on the large modernization project which Rio de Janeiro, then Brazíl’s federal capital’ underwent in the early 20th century and its connection to theatre. He hopes the conference will be a forum to exchange experiences and get to know other researchers interested in similar topics.

To see the video, please click the link – it will open a new tab, where you can choose to watch the video in different formats. Flash is probably the one that it is the most convenient, but please note that it will not work on an iPad. Here, “Mobile” or “Quick Time” will be better.

https://cast.itunes.uni-muenchen.de/vod/playlists/ppBfnybnRo.html

One more video to come!

Theatrecapes – Expectations before the Conference: Christine J.L. de Medeiros

Only three days left until the beginning of the conference… Why did our guests choose to attend Theatrescapes – Global Media and Translocal Publics 1850-1950? Christine Junqueira Leite de Medeiros’ (Federal University of the State of Rio de Janeiro & Carlos Chargas Filho Foundation, Brazil current research project focuses on the role of businessmen, companies and Portuguese actors in the Brazilian market. She believes the conference will be an attractive forum to expose, analyze and discuss different views on theatre and global media.

To see the video, please click the link – it will open a new tab, where you can choose to watch the video in different formats. Flash is probably the one that it is the most convenient, but please note that it will not work on an iPad. Here, “Mobile” or “Quick Time” will be better.

https://cast.itunes.uni-muenchen.de/vod/playlists/ppBfnybnRo.html

More videos to come!

Theatrescapes – Expectations before the Conference: Maria João Brilhante

Why did our conference guests choose to attend Theatrescapes – Global Media and Translocal Publics 1850-1950? What do they hope for? Maria João Brilhante’s (Lisbon University, Portugal) current research project centers on theatrical trade routes between Portugal and Brazil. She hopes the conference will provide a Forum to exchange ideas on this topic.

To see the video, please click the link – it will open a new tab, where you can choose to watch the video in different formats. Flash is probably the one that it is the most convenient, but please note that it will not work on an iPad. Here, “Mobile” or “Quick Time” will be better.

https://cast.itunes.uni-muenchen.de/vod/playlists/ppBfnybnRo.html

More videos to come!

Theatrescapes – before the Conference: Stanca Scholz-Cionca

Why did our conference guests choose to attend Theatrescapes – Global Media and Translocal Publics 1850-1950? What do they hope for? Stanca Scholz-Cionca (University of Trier, Germany) sees a connection between the term “theatrescapes” and the way theatrical worlds are conceptualized in Japan.

To see the video, please click the link – it will open a new tab, where you can choose to watch the video in different formats. Flash is probably the one that it is the most convenient, but please note that it will not work on an iPad. Here, “Mobile” or “Quick Time” will be better.

https://cast.itunes.uni-muenchen.de/vod/playlists/ppBfnybnRo.html

More videos to come!

Theatrescapes – Expectations before the Conference: Maria Helena Werneck

With only days left until the beginning of our international conference Theatrescapes – Global Media and Translocal Publics 1850-1950, we asked some of our conference guests about why they chose to attend the conference, how it ties in with their current research and what they expect from their stay in Munich. In today’s video Maria Helena Werneck (Federal University of the State of Rio de Janeiro, Brazil) answers to these questions.

Please click the link – it will open a new tab, where you can choose to watch the video in different formats. Flash is probably the one that it is the most convenient, but please note that it will not work on an iPad. Here, “Mobile” or “Quick Time” will be better.

https://cast.itunes.uni-muenchen.de/vod/playlists/ppBfnybnRo.html

More videos to come!

Global Media and Translocal Publics – Conference 19-21 June, IBZ Munich

FINAL-29.04.2014From 19-21 June, speakers from Australia, Bangladesh, Brazil, France, Germany, Hungary, Japan, New Zealand, Poland,  Portugal, UK, USA representing 10 disciplines shall discuss the intersection of media, migration and the creation of new translocal publics in the field of  theatre between 1850 and 1950 at the conference Theatrescapes. Global  Media & Translocal Publics. Papers shall address the following sub-topics:

  • Theatre and global media (how did performers, entrepreneurs, directors interact with global media, and how did global media foster the global dissemination of theatrical material (plays, formats, institutions, etc.)
  • Translocal publics (the emergence of theatrical public spheres in situations of cross-cultural contact)
  • The press and globalized theatrical reading publics
  • Networked stages (transnational interconnections of producers and productions, impresarios and agents)
  • New urban centres as theatrical contact zones
  • Theatre-building as a (inter)cultural act

The event is taking place at IBZ Munich. http://www.ibz-muenchen.de.

Sincere thanks to the Fritz Thyssen Foundation (http://www.fritz-thyssen-stiftung.de) for the financial support!

Theatrescapes Conference Programme 19-21 June

Digital Curation and the Performing Arts

Poster Doug ResideOn 8th and 9th May, the Theatrescapes research group organized a talk and workshop with Doug Reside, digital curator of the New York Public Library for the Performing Arts. (www.nypl.org). The event took place at and was generously co-financed by the Center for Advances Studies (LMU) (www.cas.uni-muenchen.de).

In his talk, Digital Curation and the Performing Arts, Doug discussed his role at the library and demonstrated the impressing tools he has developed to preserve the material of the library’s collections, and to engage new readers/users.

The workshop Whither Digital Humanities? Curators Meet Researchers  aimed at mediating the dialogue between researchers from theatre and art studies, librarians, curators and archivists. Participants explored the chances, benefits and challenges of introducing digital tools into their respective field of work and presented their DH projects and databases. DH Workshop Programme & Participants .

Both the talk and the workshop turned out to be a big success and initiated vivid discussions and exciting plans for future cooperations between researchers, archivists and librarians in the field of Theatre Studies.

The talk has been recorded and will be out soon.

Klick here for Nic Leonhardt’s introductory remarks (in German): 

http://nicleonhardt.wordpress.com/2014/05/12/whither-digital-humanities/